
















In the Netherlands, squats are houses of culture in extinction, altough they are occupied by people who have a great influence on the underground movements. This squat has been demolished and its occupants expelled a few weeks after this work. I wanted to keep a document of the people living there.







To go out, to face the social world and its looks, to submit to its codes, to surrender to its criteria of beauty, to dress up and make up. All these are part of the process we go through when we prepare to leave our place. This book is a photographic documentary on a woman about forty years old, who plans to go out. I follow her along all the steps, from the bath to the leaving, going through the hair removal, the makeup, the clothing. In the end, the question remains open: has there been a change? Is this woman more attractive? Is she a more “social” human being?







Theme of the mobility and of the dream, the “journey” renews every day the tight line between these two cities, characterized by a variable background but inevitably bound by the constant nibbling of the countryside by the towns. Sites and cranes punctuate this route. The texts are poems inspired by the travel, when the morning thoughts wander among trees and houses, or when one tries to escape from a tedious day by sinking into a fleeting reverie







The exercise required creating a book by exploiting only its black-and-white typography, namely, the Sabon font of Jan Tischold. The text is a sustained reflection on the work of the typographer, and historically it answers a letter from his fierce opponent, Max Bill. The inspiring title, Faith and Reality, condenses the opposition between belief and reality. The cover attempts to contrast believing and seeing. The folding allows one to read either "faith" or "reality". The content of the book consists of the text by Tischold and unveils a fragmented typographic universe which is recomposed by a backfolding of the pages.











The “Geneva Trade & Development Forum” is a conference that took place in Crans-Montana, Switzerland, in September 2008. The event has brought together representatives of the marketplace, politicians, and delegates of several NGOs, in order to discuss frankly and openly the possibility of promoting the economy of developing countries. According to the principles of the forum, humanitarian help does not provide a sufficient support. On the contrary, it contributes to the impoverishment and to the dependence of these countries as far as raw materials are concerned. Local sustainable projects for the self-sufficiency of small communities were on the schedule. My clients for this visual communication project asked me to create something suitable for a public specialized in economics and politics. To reinforce the image of the forum as a place for debate and concrete action, I chose photographic documentation linked to everyday events in the news.







Throughout the years, the Junior Enterprise (JE) of the Ecole Polytechnique Federale de Lausanne (EPFL) has grown with a solid reputation of seriousness and efficiency as the bridge between the students in engineering and the world of professionals. They have chosen my logo, visible on www.je.epfl.ch >>> webswite



The shell-shaped logo that identifies the oil company alludes to the drilling stations that extract oil from the oceans. The red and yellow colors recall the combustion process. The synthesized product has lost all signs of its natural origin. The new logo is based on the Fibonacci series, a mathematical succession of numbers which is intrinsically present in the growth process of certain shells, as well as in the human body evident in the growth of bones. The colors of the logo optimistically suggest an evolution towards greener energy policies for the company.


The challenge of the competition was a big one, but for the love of humor, derision and irony have pervaded the conception of the posters. The festival is highly popular in the North See, and it is to the credit of this fish who just gobbled the music instruments.

The society Sinergi of Lausanne has responded to an invitation to tender by the prince of Bahrain in February 2008 for the Olympic Games in Pekin. As designer for Sinergi, I have proposed a logo embodying tradition, with the tree of life, symbol of the island, and the contemporary age, with the modern towers of the capital city.





“My home is myself” is an international competition which took place in December 2007. It has joined students of five different schools of art from every continent.. Selected within the top 5 from the school of Geneva, my workwithin was composedin three pictures using the Freudian concept, opposing the id, ego and super-ego. >>> See